Gail Jones



JONES, Gail. (1992) 2000. The House of Breathing. George Baziller Publisher.

—. (1997) 1998 Fetish Lives. New York: George Braziller Publisher.

—. 2002. Black Mirror. Sydney: Picador.

—. 2004. "Sorry-in-the-Sky: Empathetic Unsettlement, Mourning, and the Stolen Generation". In Judith Ryan and Chris Wallace-Crabbe (eds.). Imagining Australia: Literature and Culture in the New New World . Harvard: Harvard University Committee on Australian Studies: 159-171.

—. (2004) 2005. Sixty Lights. London: Vintage.

—. 2006. Dreams of Speaking. Sydney: Vintage.

—. 2006. "Dreaming, a Sauntering: re-imagining Critical Paradigms". Journal of the Association for the Study of Australian Literature Vol. 5:11-24.

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—. 2007. The Piano. Sydney: Currency Press Pty Ltd. 

—. (2007) 2008. Sorry. New York: Europa Editions.

—. 2008. "Speaking Shadows: Justice and the Poetic". In Brennan, Bernadette. (ed). Just Words?: Australian Authors Writing for Justice. St Lucia: UQP. <>; (Retrieved 16 March 2011).

—. 2011. Five Bells. London: Harvill Secker.





Block, Summer. "Interview: Gail Jones". January Magazine, n.d.<>. (retrieved 7 Sept. 2007).

Herrero, María Dolores. 2011. "The Australian Apology and Postcolonial Defamiliarization: Gail Jones's Sorry". Journal of Postcolonial Writing Vol. 47, No. 3: 283-295.

Jacobs, Lyn. 2006. "Gail Jones’s ‘Light Writing’: Memory and Photo-graph. JASAL 5: 196-208.

Mitchell, Kate. 2008. "Ghostly Histories and Embodied Memories: Photography, Spectrality and Historical Fiction in Afterimage and Sixty Lights". Neo Victorian Studies Autumn 2008: 81-109.

Roughley, Fiona. 2007. "Spatialising Experience: Gail Jones’s Black Mirror and the Contending of Postmodern Space". Australian Literary Studies, 23.2: 58-73.

Wevers, Lydia. 2007. "Fold in the Map: Figuring Modernity in Gail Jones’s Dreams of Speaking and Elizabeth Knox’s Dreamhunter". Australian Lietrary Studies, 23.2: 187-198.