In this book Susana Onega edits and translates into Spanish John Fowle's first published novel, The Collector.  In the critical introduction that accompanies the text, Onega offers an overview of the technical and ideological problems set by the novel and highlights its hybrid position between, on the one hand, the British realist tradition associated to "The Movement" and, on the other, the bent for experimentalism associated to French existentialism and the nouveau roman.