Contemporary Narrative in English

Research Group

Masculinities, Femininities and the Power of the Hybrid in U.S. Narratives: Essays on Gender Borders

Nieves Pascual, Laura Alonso-Gallo & Francisco Collado-Rodríguez, eds., Universitätsverlag WINTER, 2007

On the Turn: The Ethics of Fiction in Contemporary Narrative in English

Bárbara Arizti and Silvia Martínez-Falquina, (eds.). Cambridge Scholars Publishing, 2007.

The Ethical Component in Experimental British Fiction since the 1960’s

Susana Onega and Jean Michel Ganteau (eds.). Cambridge Scholars Publishing, 2007.

Jeanette Winterson.

Susana Onega, Contemporary British Novelists Series. Manchester University Press: Manchester, 2006.

George Orwell: A Centenary Celebration.

Annette Gomis and Susana Onega (eds.), Carl Winter: Heidelberg. 2005.

El orden del caos: literatura, política y posthumanidad en la narrativa de Thomas Pynchon

Francisco Collado. Universitat de València: Valencia. 2004.

Indias y fronteras: el discurso en torno a la mujer étnica.

Silvia Martínez, KRK: Oviedo. 2004.

Refracting the Canon in Contemporary Literature and Film.

Susana Onega and Christian Gutleben (eds.), Rodopi: Amsterdam and New York. 2004.

Textuality as Striptease: The Discourses of Intimacy in David Lodge’s Changing Places and Small Worl

Bárbara Arizti. Peter Lang: Frankfurt am Main. 2002.

Beyond Borders: Re-defining Generic and Ontological Boundaries.

Ramón Plo y María Jesús Martínez (eds.). (Anglistiche Forschungen Series). Carl Winter: Heidelberg. 2002. 

Anlatibilime Giris

Susana Onega and José Angel García Landa, Transl. Yurdanur Salman-Deniz Hakyemez. Adam Yayinlari: Istanbul. 2002. 

London in Literature: Visionary Mappings of the Metropolis.

Susana Onega and John A. Stotesbury (eds.), Anglistische Forschungen Series. Universitätsverlag Carl Winter: Heidelberg. 2002.

El coleccionista, de John Fowles.

Susana Onega (ed., trans. and notes), Colección Letras Universales. Cátedra: Madrid. 2000.

Metafiction and Myth in The Novels of Peter Ackroyd.

Susana Onega, European Studies in the Humanities. Camden House: Columbia. 1999.

Peter Ackroyd. The Writer and his Work

Susana Onega. Northcote House and the British Council: Plymouth, England, 1998. 

Margins in British and American Literature, Film and Culture

Marita Nadal y M. Dolores Herrero (eds.), Universidad de Zaragoza: Zaragoza. 1997

Narratology. An Introduction.

Susana Onega and José Ángel García Landa (eds.), Longman Critical Readers Series. Longman: London and New York. 1996.

"Telling Histories": Narrativizing History: Historicizing Literature.

Susana Onega (ed.), Costerus New Series, nº 96. Editions Rodopi B.V.: Amsterdam and Atlanta. 1995.

The Frontiers of Mythmaking. Richard Adams’s Early Fiction

Francisco Collado, Universidad de Zaragoza: Zaragoza. 1994.

Science, Literature, and Interpretation: Essays on twentieth-century literature and critical theory

Francisco Collado (ed.). Secretariado de Publicaciones de la Universidad de Zaragoza: Zaragoza. 1991. 

Del mito a la ciencia. La novela norteamericana contemporánea

Francisco Collado (ed.) . Prensas Universitarias de Zaragoza: Zaragoza. 1990.

Form and Meaning in the Novels of John Fowles

Susana Onega. Breaking the Canon Series. U.M.I. Research Press: Ann Arbor, Michigan and London. 1989.

Estudios Literarios ingleses II: Renacimiento y Barroco Vol. II

Susana Onega (ed.). Cátedra: Madrid. 1986.

Pueblo y literatura: la poesía del cartismo

Francisco Collado. Secretariado de Publicaciones de la Universidad de Zaragoza: Zaragoza. 1985.

Análisis estructural, método narrativo y "sentido" de The Sound and The Fury, de William Faulkner

Susana Onega. Libros Pórtico: Zaragoza. 1979.