The Splintered Glass: Facets of Trauma in the Post-Colony and Beyond
Dolores Herrero and Sonia Baelo-Allué, (eds.). Rodopi: Amsterdam and New York, 2011
Between the Urge to Know and the Need to Deny: Trauma and Ethics in Contemporary British and American Literature
Dolores Herrero and Sonia Baelo-Allué, (eds.). Universitätsverlag C. Winter: Heidelberg, 2011.
Bret Easton Ellis's Controversial Fiction: Writing Between High and Low Culture
Sonia Baelo-Allué. Continuum: London and New York, 2011.
Ethics and Trauma in Contemporary British Fiction
Onega, Susana and Jean-Michel Ganteau (Eds.), Ethics and Trauma in Contemporary British Fiction. Amsterdam/New York, NY, 2011, 330 pp. Hb ISBN: 978-90-420-3326-9.
Masculinities, Femininities and the Power of the Hybrid in U.S. Narratives: Essays on Gender Borders
Nieves Pascual, Laura Alonso-Gallo & Francisco Collado-Rodríguez, eds., Universitätsverlag WINTER, 2007
On the Turn: The Ethics of Fiction in Contemporary Narrative in English
Bárbara Arizti and Silvia Martínez-Falquina, (eds.). Cambridge Scholars Publishing, 2007.
The Ethical Component in Experimental British Fiction since the 1960's
Susana Onega and Jean Michel Ganteau (eds.). Cambridge Scholars Publishing, 2007.
Jeanette Winterson.
Susana Onega, Contemporary British Novelists Series. Manchester University Press: Manchester, 2006.
George Orwell: A Centenary Celebration.
Annette Gomis and Susana Onega (eds.), Carl Winter: Heidelberg. 2005.
El orden del caos: literatura, política y posthumanidad en la narrativa de Thomas Pynchon
Francisco Collado. Universitat de València: Valencia. 2004.
Indias y fronteras: el discurso en torno a la mujer étnica.
Silvia Martínez, KRK: Oviedo. 2004.
Refracting the Canon in Contemporary Literature and Film.
Susana Onega and Christian Gutleben (eds.), Rodopi: Amsterdam and New York. 2004.
Textuality as Striptease: The Discourses of Intimacy in David Lodges Changing Places and Small Worl
Bárbara Arizti. Peter Lang: Frankfurt am Main. 2002.
Beyond Borders: Re-defining Generic and Ontological Boundaries.
Ramón Plo y María Jesús Martínez (eds.). (Anglistiche Forschungen Series). Carl Winter: Heidelberg. 2002.
Anlatibilime Giris
Susana Onega and José Angel García Landa, Transl. Yurdanur Salman-Deniz Hakyemez. Adam Yayinlari: Istanbul. 2002.
London in Literature: Visionary Mappings of the Metropolis.
Susana Onega and John A. Stotesbury (eds.), Anglistische Forschungen Series. Universitätsverlag Carl Winter: Heidelberg. 2002.
El coleccionista, de John Fowles.
Susana Onega (ed., trans. and notes), Colección Letras Universales. Cátedra: Madrid. 2000.
Metafiction and Myth in The Novels of Peter Ackroyd.
Susana Onega, European Studies in the Humanities. Camden House: Columbia. 1999.
Peter Ackroyd. The Writer and his Work
Marita Nadal y M. Dolores Herrero (eds.), Universidad de Zaragoza: Zaragoza. 1997
Narratology. An Introduction.
Susana Onega and José Ángel García Landa (eds.), Longman Critical Readers Series. Longman: London and New York. 1996.
"Telling Histories": Narrativizing History: Historicizing Literature.
Susana Onega (ed.), Costerus New Series, nº 96. Editions Rodopi B.V.: Amsterdam and Atlanta. 1995.
The Frontiers of Mythmaking. Richard Adamss Early Fiction
Francisco Collado, Universidad de Zaragoza: Zaragoza. 1994.
Science, Literature, and Interpretation: Essays on twentieth-century literature and critical theory
Francisco Collado (ed.). Secretariado de Publicaciones de la Universidad de Zaragoza: Zaragoza. 1991.
Del mito a la ciencia. La novela norteamericana contemporánea
Form and Meaning in the Novels of John Fowles
Susana Onega. Breaking the Canon Series. U.M.I. Research Press: Ann Arbor, Michigan and London. 1989.
Estudios Literarios ingleses II: Renacimiento y Barroco Vol. II
Susana Onega (ed.). Cátedra: Madrid. 1986.
Pueblo y literatura: la poesía del cartismo
Francisco Collado. Secretariado de Publicaciones de la Universidad de Zaragoza: Zaragoza. 1985.
Análisis estructural, método narrativo y "sentido" de The Sound and The Fury, de William Faulkner
Susana Onega. Libros Pórtico: Zaragoza. 1979.